Wes Anderson’s new film is getting its very own food-themed pop-up exhibition.
By Thomas Hobbs
The box office success of this 1991 drama forced America to view the crack epidemic from a different perspective.
With her strong self-belief and striking dress sense, Mona Lisa Vito is a character we can all get behind.
By Lewis Gordon
Alex Garland’s chilling body horror speaks directly to our current age of ecological crisis.
By Dan Einav
Sergio Leone’s landmark western, which turns 50 this year, is a fascinating product of its time.
To celebrate the release of You Were Never Really Here, we’ve put together a handy primer of the director’s short and feature work.
By Anton Bitel
Some of the year’s best and most challenging genre titles were served up over a truly chilling weekend.
Our latest print edition offers an exciting look inside Wes Anderson’s stop-motion opus.
By Tom Williams
Lynne Ramsay’s masterful second feature from 2002 offers a visceral depiction of grief and longing.
The You Were Never Really director talks framing violence and working with Joaquin Phoenix and Jonny Greenwood.
It’s hammer time for the famously intense leading man ahead of his starring role in You Were Never Really Here.
By Sam May
This 1973 pulp classic sees Elliott Gould’s Philip Marlowe navigate LA’s seedy underbelly.
By Luís Azevedo
To celebrate its 20th anniversary, we take a closer look at the Coen brothers’ cuss-filled classic.
Conductors and longtime friends Hugh Brunt and Robert Ames reveal how they helped bring Jonny Greenwood’s mesmerising score to life.
By Anton Bitel
The French director’s 1968 La Prisonnière aka Woman in Chains is both compelling and perverse.